Universal Audio Plugin
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Guitar-amp plug-ins are nothing new, and the concept is pretty straightforward: Much like you’d use a software compressor, EQ, or other processor plug-in on a recorded track while mixing in your DAW, for example, you record your guitar track dry via DI, then insert an amp plug-in on that track’s channel strip to transform it to the type of tone that the production demands. The amplifier plug-ins on review here from Universal Audio will also function exactly so, but they really shine when used during the recording process, as Unison plug-ins accessed via one of UA’s own Apollo recording interfaces. As such, you not only hear the selected amp as you record it, you also feel the interaction between guitar and carefully modeled amp via the Apollo’s Hi-Z input, and all with zero latency. And that, UA reckons, should make a marked difference in the feel and dynamics of your performance. In a bid to discover how well that premise holds up, GP checks out UA’s Unison plug-ins for the Marshall Legends Bundle ($399 direct), ’55 Fender Tweed Deluxe ($199 direct), Fuchs Overdrive Special 50 and Train II ($149 direct, each), and Engl Savage 120 ($149 direct).
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Universal Audio Plugin Reviews
Comprising models created exclusively for UA Unison by Softube, the Marshall Legends Bundle includes the Plexi Super Lead 1959, Silver Jubilee 2555, and Bluesbreaker 1962 (also available individually at $199 each). All were modeled from rare original amps in Marshall’s own collection, with mic and cabinet IRs voiced and captured by Tony Platt (who was part of the recording/mixing team for AC/DC’s Back in Black and Highway to Hell albums).